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Vinyl Emergency

Musicians, album collectors, recording engineers and those who press, design or otherwise celebrate vinyl records describe how this influential medium has shaped their lives and careers. Guests include Hozier, Rosanne Cash, Creed Bratton from NBC's The Office, plus members of Foo Fighters, Wilco, Tom Petty & the Heartbreakers, Hall & Oates, Sylvan Esso, Jawbox and more.
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Vinyl Emergency
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Now displaying: 2020
Apr 7, 2020

Formed in Evansville, IN during the late 90's, Mock Orange gained a devoted following amongst indie-rock circles for progressive, whiplash time signatures, buoyed by sentimental yet urgent lyrics. Though the quartet's debut album Nines & Sixes provided an addictive and aggressive spark, 2000's The Record Play delivered a deeper and more nuanced emotional payout: Singer/guitarist Ryan Grisham's wordplay (drenched in poetic metaphors on time and distance), drummer Heath Metzger's prog-like precision and the clear, masterful production style of Mark Trombino made the album somewhat of an underground touchstone for early 2000's emo. On today's show, Ryan talks about piecing together the thematic nature of The Record Play two decades later, why turning 40 gave him a new outlook on the band's first album and how he managed -- long before iPods -- to play his beloved 7" collection on the road. This episode also features the WORLD PREMIERE of the band's new single "So Maybe," from their upcoming EP The Bridge, their first release in nearly four years. Vinyl for both The Bridge, as well as a 20th anniversary repress of The Record Play, will be available for pre-order via mockorange.net later this month. Follow @mockorange on Facebook, Twitter and Instagram for updates.

Mar 24, 2020

For over 25 years, Texas native Rhett Miller has fronted the Old 97's, recognized as one of the most acclaimed staples within Americana or alt-country music. Still, he's found plenty of time over that span to step out on his own: Hosting the podcast Wheels Off, writing children's books and recording seven solo records containing collaborations with Jon Brion, Aimee Mann, R.E.M.'s Peter Buck, longtime session drummer Jim Keltner and members of the Decemberists. Recorded at Vance Powell's renowned Sputnik Sound in Nashville (as the Old 97's began work on their 12th proper album), Rhett muses on his early fascinations with Joan Jett, the Kingston Trio and ZZ Top, pumping quarters into the vinyl jukeboxes of his local diner, how patterns in genre fiction influence his solo albums and what Wheels Off has taught him about the creative process. Visit old97s.com and rhettmiller.com for tour dates, music, social media and more. Plus, subscribe to Wheels Off however you get podcasts.

Mar 10, 2020
The Presidents of the United States of America garnered acclaim throughout the grunge-heavy 90's for performing humorous, rocket-fueled earworms about chickens, kittens and bugs in a style that showcased both punk ethos and stadium rock showmanship. Hits like "Peaches," "Lump" and "Mach 5" dominated both alt-rock radio and MTV at the time, even scoring the Seattle trio the ultimate seal of legitimacy: a parody from "Weird Al" Yankovic. Recently, the group -- though no longer performing as a unit -- reconvened to launch a Kickstarter campaign to get their self-titled, triple-platinum, Columbia Records debut officially pressed to vinyl for the first time in the US. And fans were ready -- since the announcement (on Presidents Day, no less), listeners have funded over ten times the amount of PUSA's original goal. On this episode, drummer Jason Finn talks about recently hearing the album's new test pressing (and why it's taken 15 years for this vinyl campaign to become a reality), how an infamous band photo with then President Bill Clinton made it onto the cover of a Spanish pressing of the LP and lots more. Follow @jasonfinn on Twitter, @finnbot3000 on Instagram and pre-order the vinyl reissue, as well as check out the band's social media, at presidentsrock.com
Mar 3, 2020

Since opening its doors in 1999, Grimey's New & Preloved Music has become one of the most beloved record stores in existence -- a beacon to its native Nashville, and the music world at large, for a focus on live performances, fair pricing and meeting the needs of eccentric and avant-garde music aficionados in a town mainly known for its country roots. Founded by Mike Grimes as a way to sell off product he acquired while working in the industry, his humble vision was to create "the Floyd's Barbershop of record stores," a community-oriented meeting place for eclectic music lovers to obtain and share their obsessions, no matter how under-the-radar. He partnered with friend and fellow music fanatic Doyle Davis a few years later (himself a veteran of Nashville chain The Great Escape) and the pair have run Grimey's as co-owners for close to two decades. With the renowned Ryman Auditorium being known as Music City's "Mother Church," Grimey’s has taken up the moniker of the "Other Church" among its devotees, after converting a previous house of worship into its current location in 2018. Today, Mike and Doyle pontificate on the shop's early days, the women who helped shape their love of vinyl growing up, the important roll that cut-out bins played in exposing them to new sounds, and which artist would be the in-store booking of their dreams. They'll also describe how the Avett Brothers' own in-store performance was more insanely dangerous and hardcore than even Metallica's. Plus we  get to current hot button record industry issues like the ramifications of the recent Apollo Masters fire, and Direct Shot's distribution nightmares since last Record Store Day. For upcoming events, promotions, social media and more, hit up grimeys.com and while in Nashville, visit them at 1060 E. Trinity Lane.

Feb 18, 2020

Garnering comparisons to other iconic duos like Simon & Garfunkel or The Everly Brothers, Joey Ryan and Kenneth Pattengale have effortlessly sewn together a timeless aura around their fragile, emotionally-resonant songs as Grammy-nominated folk duo The Milk Carton Kids. Since their start nearly a decade ago, their acoustic guitar mastery and impeccable vocal harmonies have led to collaborations or shared stages with legends of the craft like T Bone Burnett, Gillian Welch and John Prine. Joined today by Old Crow Medicine Show bassist Morgan Jahnig and recorded backstage at Nashville's Schermerhorn Symphony Center, Joey and Kenneth discuss reinterpreting Pink Floyd, the supportive community hub of in-store performances at record shops, and the merit of something we'll call -- for this episode -- the artistic vision of "yellow shorts." PLUS learn how you could win a copy of their latest release, The Only Ones, on 10" vinyl. For tour dates, social media and more, visit themilkcartonkids.com.

Feb 4, 2020

At just 12 years old in the early 80's, young guitarist Jason Narducy already knew about the emotional roller coaster of starting and ending a band. In this case, that band was Verböten, who exploded onto Chicago's punk scene but folded before Jason became a teenager. Over 35 years later -- with Jason establishing himself since as a terrific singer/songwriter via his band Split Single and collaborating with Bob Mould, Robert Pollard and Superchunk among others -- Verböten is now the subject of a full-fledged musical (the songs courtesy of Jason himself) running at Chicago's Chopin Theatre through early March. To coincide with those performances, the band finally has a seven-inch out on vinyl for the very first time to boot. On this episode, Jason chats about working at record stores in his late teens, how his dad played a formative role in his early love of vinyl, the moral battle of separating great art from a problematic artist, why writing songs for this musical has been easier than writing his own, and his recent experience at a vinyl listening bar in Japan. Performance details and tickets for the Verböten musical can be found at thehousetheatre.com. Follow Jason and get news on Split Single via Twitter @splitsingleband, on Instagram @jasonnarducy and from Facebook @splitsingle.

Jan 21, 2020

Comedian, podcasting pioneer and former MCA Records employee Jimmy Pardo returns to discuss what defines prog rock, whether there's a current American band that could garner the sendoff that Canadians gave The Tragically Hip, finally owning a favorite LP after a 20-year search, and his new web series Jimmy's Record & Tapes, where he revisits albums in his collection from 1975 to 1995, along with hilarious personal stories. Subscribe and catch a new episode every Tuesday at youtube.com/nevernotfunny. You can also use that link for the 11th annual Pardcast-A-Thon -- a 12-hour, live-streaming celebrity fundraiser to benefit the cleft palate charity Smile Train -- airing Saturday, May 23rd. Dive into Jimmy's award-winning podcast Never Not Funny however you listen, follow him on the web at jimmypardo.com and on Twitter, @jimmypardo.   

Jan 7, 2020

The youngest son of two church choir directors and musicians, Daru Jones has played drums since the age of 4, having grown up behind the kit at his parents' congregation. His love for gospel eventually led him to jazz, country, funk, R&B and hip-hop, where he has flourished as a touring, session and for-hire musician for emcees, vocalists, songwriters and producers like Nas, Talib Kweli, Sturgill Simpson, Dwight Yoakam, Pete Rock, Gloria Gaynor and Pharoahe Monch. He's also performed as part of Jack White's band, both on the road and on record, most recently to promote Third Man Hardware's latest guitar pedal line, viewable on Instagram, @thirdmanhardware. On today's episode, Daru reflects on the influence of everyone from Gene Krupa to DJ Premier, how he relates to the film Whiplash, why classic album covers should be taken as seriously as the music it represents, and the art of respecting composition over the urge to upstage. Catch Daru on the road in coming months as he accompanies original James Brown saxophonist Pee Wee Ellis. You can also follow Daru on Instagram and Facebook, @darujones.

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