With a long history in journalism covering audio and home entertainment, Shane Buettner began boutique vinyl reissue label Intervention Records in 2015, with a focus on albums from the late 70's to early 2000's that he felt weren't getting the proper, or any, treatment on wax. Inspired by the Music Matters Jazz label and priding himself on overseeing every aspect -- from working with the original analog tapes to art restoration to sleeve printing and assembly -- Shane has released high-quality, in-demand reissues from Everclear, Joe Jackson, Erasure, Judee Sill and more over the last three years. Most recently, Intervention has partnered with 90's power-pop king and former Vinyl Emergency guest Matthew Sweet to reissue and remaster his catalog from 1991-1995, all of which were originally recorded entirely to analog: Girlfriend, Altered Beast, the never-before-on-vinyl Son of Altered Beast EP and 100% Fun. On today's show, Shane discusses what the music industry learned from Neil Young's Pono experiment, how farm-to-table restaurants relate to the vinyl world, and his new website -- vinylreviews.com -- which aims to create a community where listeners can share their thoughts on specific pressings and packaging. We also do a deep dive on how our ears and brains take in music, and why audio source transparency is so important to vinyl's resurgence. Visit interventionrecords.com to pick up Shane's quality reissues, and follow @intervention_records on Instagram for needle drops, pressing updates and more!
In the footsteps of groups like The Band or The Flying Burrito Brothers, who still exude country rock coolness 50 years on, comes Nashville's Great Peacock. Since their 2015 debut, they've been hailed by publications like No Depression, American Songwriter and Paste for their powerful, poignant mixture of folk, rock, blues and Americana, while sharing stages with Margo Price, Dr. Dog, Colter Wall and Hurray for the Riff Raff. Andrew Nelson and Blount Floyd -- guitarists and co-songwriters/vocalists for the quartet -- sit down backstage at hometown venue 3rd & Lindsley to discuss their connections to vinyl, their favorite music documentaries, whether an artist's name on the front of their records takes away from the album's visual art, how My Morning Jacket's Tom Blankenship and Carl Broemel ended up contributing to Great Peacock's terrific new album Gran Pavo Real and more! On September 13th, they'll perform at Musicians Corner at Centennial Park in Nashville as part of Americanafest 2018, and you can visit GreatPeacock.com for further tour dates, their social media, etc.
Check out details on our brief upcoming hiatus, and what you can expect when we return.
Milwaukee-based Americana duo Dead Horses have performed anywhere from coffee shops to opera houses since their formation in 2010, and their profile is only getting larger: While on the road supporting their latest album My Mother The Moon this year and next, they'll play Colorado's legendary Red Rocks Amphitheatre, as well as a Jamaican and Mexican cruise alongside Emmylou Harris, the Indigo Girls, Billy Bragg and Jason Isbell. Singer/guitarist Sarah Vos and double bassist Daniel Wolff talk today about their relationships with vinyl, getting their own LP's pressed without a label, working with former Wilco drummer Ken Coomer and more. PLUS they'll grace us with two live acoustic performances which you can also download separate from today's episode at deadhorseswi.bandcamp.com, with proceeds benefitting Texas non-profit RAICES -- the Refugee and Immigrant Center for Education and Legal Services. For Dead Horses tour dates, social media and more, visit deadhorses.net.
Enjoy this repeat of our interview last year with film and television composer Dave Porter. You can hear Dave's music on "Preacher" and "Better Call Saul," celebrating their season premieres on the AMC Network on June 24th and August 6th, respectively.
Although he toured the world fronting garage-rock kingpins The Mistreaters in the early 2000's, Chris Schulist has never lost his affinity for the boom-bap style of 80's and 90's rap. Dope Folks Records -- a Milwaukee label he co-founded in 2010 with friend John Kuester -- is fueled by a passion for crate digging; Dope Folks primarily represses underground or deep cut 12" rap singles with minimalist packaging in limited quantities, even working with legendary acts like Black Sheep and Tha Alkaholiks. If that didn't keep him busy enough, Chris is also a partner in the popular Milwaukee restaurant The Vanguard (with fellow garage-rock veteran Jim McCann of the Baseball Furies), serving unique sausages and cocktails to everyone from WWE wrestlers to headlining comedians like Bill Burr to Chris' old pal Jack White. On today's show, Chris details how his uncle got him into record collecting, which Sesame Street record has the best bass lines, why Kiss makes it increasingly tough for their fans to stick with them, and much more. For the best in classic (or should've-been-classic) rap, visit dopefolksrecords.bigcartel.com and follow them on Facebook @dopefolks. For amazing brats while in Milwaukee, visit vanguardbar.com and follow their Instagram, @vanguardmilwaukee.
A daily must-visit for record collectors everywhere, Discogs.com launched in 2000 with the lofty goal of cataloging every piece of recorded music in history. Fast-forward nearly two decades, and Discogs has over 9 million different releases currently documented. They've also got a popular mobile app, a busy digital marketplace that fuels the vinyl community worldwide, and sister sites that similarly catalog books, comics, posters, films and recording gear. Discogs CEO Chad Dahlstrom joins us today to talk about his own record collection, the site's recent ban on bootlegged and pirated material, building relationships with artists and labels, updates we can expect in the future and much more. Follow @Discogs on Facebook, Twitter and Instagram. Plus, we debut some brand new music from Ohio quartet Curtail!
Founded in 1964, Stoughton Printing Company is a leading provider of quality music packaging and production planner Rob Maushund is at the helm of getting that superior work out the door and into record stores around the world. From working first-hand and directly with King Tuff, Jack White or Thurston Moore to Bonnie "Prince" Billy, Gillian Welch or Father John Misty, Rob's 30+ year career at Stoughton has led to literally thousands of astounding record packages, earning Grammys and other industry accolades. On this episode, Rob shares his thoughts on the inaugural Making Vinyl Conference in Detroit this past fall, the history of the tip-on jacket process, and how musicians can explore a vast realm of packaging options without spending a fortune. Visit stoughtonprinting.com for more information, and follow them on Facebook and Instagram @StoughtonPrinting. Also check out @OldStyleRecordJackets on Facebook.
In 1962, soul vocalist and songwriter William Bell was sharing stages with Jackie Wilson and Gladys Knight, before a phone call from his mother and a letter from the U.S. government halted his blossoming career. Today, Andrew Winistorfer from Vinyl Me, Please tells us about their new reissue of Bell's debut LP (originally released by Stax), and what it's been like to get to know the 78-year-old Bell himself while working on the project. Also, Jim speaks with record collector friends Perry Day and Mike Pecucci to get their angle on Record Store Day, as well as Pinwheel Records owner Scott Schaaf, as he prepares for their biggest day of the year.
President and CEO of Fairfax, VA's Furnace Record Pressing Eric Astor has seemingly done it all within the record label / disto / CD and vinyl pressing universe over the last 20+ years, with zero sign of stopping: Furnace is soon adding 16 new and refurbished vinyl presses, likely solidifying them as the second largest vinyl pressing plant in America. Today, Eric chats about his previous and current companies (including ORGMusic, VinylStyl and Lumberjack Distribution), as well as what these new machines mean for not just Furnace's output, but for the current bottlenecking experienced across the board by today’s vinyl manufacturers. Visit FurnaceMFG.com and ORGMusic.com for more information!
Within the last five years, U-Turn Audio has gone from the Kickstarter dream of three east coast college students to one of the biggest names in turntables. In a fanatical vinyl market, they've managed to stand apart by making each deck to order, keeping their manufacturing in Boston and offering audiophile-like quality at a price tag that's nearly half of those of their largest competitors. U-Turn's customization factor is also a huge selling point, with listeners having the ability to add a pop of color, a higher-end cartridge, a cue lever and more to an already stellar piece of equipment. Co-founder Ben Carter drops in this week to discuss the company's genesis, how the audiophile community influenced U-Turn's original designs, the endless debate between belt-driven and direct-driven turntables, his affection for Bob Dylan's "Nashville Skyline" and the impact of Pennie Smith's iconic photo on the front of The Clash's "London Calling," plus dealing with feedback and customer satisfaction in the age of social media. Visit uturnaudio.com to learn more!
Today's show is all about getting -- and keeping -- your records clean! Perfect Vinyl Forever is a relatively new service based in Wisconsin, determined to restore albums to "better than new" condition through more scientific means than your standard over-the-counter methods. Founder Steve Evans joins us today to discuss the do's and don'ts of commercially available cleaning processes (like brush-and-solution combos and Spin-Clean Record Washers), how PVF strives to improve the fidelity of brand new LP's, the different types of record collectors he encounters, and the joy he gets from working on Perfect Vinyl Forever with his daughters, who also appear on today's episode to discuss their own appreciation for records as well as their feelings as young women in a collector's culture that isn't always inviting or inclusive. If you're in the Milwaukee area, check out Perfect Vinyl Forever's next record cleaning clinic at Ultra Fidelis in Wauwatosa, WI on January 27, and visit PerfectVinylForever.com for more info!
Having cut his teeth within the small but tight-knit Green Bay punk scene of the early 2000's, Milwaukee-area producer/engineer Justin Perkins gives tips on mastering records both digitally and for vinyl and discusses temporarily joining Screeching Weasel, being in charge of documenting the final Replacements reunion show in 2015, and how trying to change an album's audio mix after the mastering process is like attempting to cook an already-burnt pizza. Visit mysteryroommastering.com for more info on Justin's studio work, and check out BashAndPop.bandcamp.com to hear his recent musical project, backing up the Replacements' Tommy Stinson!
2017's Trinity Lane, the third album from Nashville-based Lilly Hiatt, is a true triumph within the alt-country/Americana genre, from an artist who has not only overcome personal tragedy, addiction and heartbreak, but has done so while standing outside of the musical shadow of her dad, Grammy-nominated singer/songwriter John Hiatt. NPR nailed it earlier this year by saying, "Her willingness to portray herself in moments of anger or neediness that others might deem unseemly, particularly coming from a woman, and to examine gender divisions in emotional labor at close range, is courageous and affecting." Today, Lilly talks about digging through vinyl dollar bins on the road, how her turntable played a part in her newfound independence, playing everything from Cat Stevens to Kendrick Lamar while in the van, what her dream vinyl pressing of Trinity Lane would entail, and the romance that blossomed through the recording of her recent Third Man Records seven-inch. Trinity Lane is available wherever you buy physical or digital music, and visit LillyHiatt.com for upcoming tour dates, social media and more. PLUS check out @VinylEmergency on Facebook or Twitter for our corresponding Spotify playlist to this episode!
The recent, sudden passing of Tom Petty has been rough for all who knew him and adored his music, so this week we're rerunning our chat last fall with Heartbreakers keyboardist Benmont Tench. Ben's memories over the last 40 years of performing with Tom, and his passion for vinyl and music in general, make this one of our favorite interviews we've done. Follow @BenmontTench on Facebook and Instagram, as well as @BenchTen on Twitter.
Surrounded by her parents' jovial and eccentric group of friends as a youngster -- whom she likened to "the Marx Brothers in tie-dye" -- photographer and director Autumn de Wilde has captured a venerable who's who list of artists on film, such as Willie Nelson, Prince, Ryan Adams, the White Stripes, Death Cab for Cutie, Sonic Youth, Fiona Apple and the Decemberists. This week, Autumn and Jim discuss how her shots on iconic record covers for Beck's "Sea Change," Elliott Smith's "Figure 8" and Jenny Lewis' "The Voyager" came to fruition, the comedy albums that she loved growing up, some long-lost photos Autumn took of Jim during a shoot for "Wilco the Album" back in 2009, and how she uses a certain improvisational wildness within her art while ensuring her subject never feels trapped by it. Follow @autumndewilde on Instagram and Twitter, and keep an eye out for the latest video she has directed for Starcrawler's "I Love L.A.," coming later this month. SPONSORS: Vinyl Me, Please; Pinwheel Records; Vinyl for a Cause; flipbin.
Friend, fellow record collector and previous guest Chris Fitzgerald joins us to talk about the songs and memories we'll hold of the late Tom Petty.
This week, our host Jim Hanke guests on Dig Me Out as part of a roundtable discussion about all things alt-country! Touchstone albums, current favorites, what defines the genre and more are discussed with DMO hosts Tim Minneci and Jason Dziak, Jim Kopeny of Chicagoist.com, and the Dallas Observer's Eric Grubbs. Visit DigMeOutPodcast.com for great weekly album discussions and other great episodes. PLUS -- We announce our next LIVE Vinyl Emergency episode, at Pinwheel Records in Chicago this November!
In the pantheon of 90's alternative-rock, you could say Boston trio Morphine were one of the most alternative. Leader Mark Sandman's seductive vocals and two-string slide bass, partnered with only baritone saxophone and drums, created a sound Sandman himself dubbed as "low rock" but almost 30 years after the band's inception, their fans as well as newcomers still struggle to put Morphine's uniqueness into words. Since Sandman's tragic death in 1999, saxophonist Dana Colley (along with surviving members of Morphine and other collaborators) has kept that distinct sound alive through Orchestra Morphine and currently Vapors Of Morphine, as well as an upcoming limited LP release from Warner Music Group imprint Run Out Groove of Morphine's 1997 set at The Warfield Theatre in San Francisco, cut to vinyl by Jeff Powell at the legendary Sam Phillips Recording. On today's show, Colley discusses his fascination with liner notes and how vinyl records act as an archive for a moment in time, while Run Out Groove's Matt Block visits to talk about the label's fan-driven voting process, why a Morphine live show was chosen over studio albums that have yet to see vinyl pressings and how quality digital recordings have as much of a right to exist in the vinyl market as analog. Visit RunOutGrooveVinyl.com to find a store near you that will carry Morphine's Live At The Warfield 1997 next month, and check out VaporsOfMorphine.com for news and tour dates.