Having already penned much-heralded books on both John Prine and Jason Molina, author Erin Osman is now tackling the wide genre of heartland rock — which she defines more by a spiritual and ideological geography, rather than a literal one. And while Bob Seger, Tom Petty, Bruce Springsteen and John Mellancamp round out the Mount Rushmore of sorts for this soundtrack of working class 80’s middle-America, Osmon casts a needed spotlight on the likes of Bonnie Raitt, Tracy Chapman, Lucinda Williams and Bruce Hornsby within the pages of 'Won’t Back Down,' available now wherever you get literature. On this week’s show, Osman expands upon the relationship between art and province, and why the subject matter of 'Won’t Back Down' stretches across generations. Plus, details on her current role on the editorial staff of the Country Music Hall of Fame & Museum in Nashville, and how her two decades as a music journalist have led her there. Visit erinosmon.com for more info, past works and a killer playlist of tunes featured in 'Won't Back Down.' Music on this episode is from The Pretty Flowers, available digitally or on vinyl at theprettyflowers.bandcamp.com or forgeagainrecords.bandcamp.com.

This is an encore presentation of a previous episode.

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Global superstar Hozier ("Take Me To Church," "Too Sweet") discusses his appreciation for analog experiences, and some personal anecdotes on how records by Howlin' Wolf, D'Angelo and more -- specifically on vinyl -- have influenced his own creative output. Plus, singer/songwriter Courtney Marie Andrews and Dawes lead vocalist/guitarist Taylor Goldsmith share their thoughts about the importance of wax in a digital world. These conversations were recorded backstage at the 2018 edition of the Pilgrimage Music and Cultural Festival in Franklin, TN. 

Thanks to vinyl's nearly two decades of steady growth and new pressing plants popping up almost annually, the physical act of getting LP's pressed as an independent artist is easier than ever. But, that's not to say that it's easy. Canadian singer/songwriter Tenille Townes, for instance, recently found herself taking the leap out of the Nashville country music machine and funding, recording and pressing her new album The Acrobat completely on her own. This included a modest vinyl pre-order goal of 300 copies, still more than she'd ever sold via pre-order while with a proper label. Luckily, the fan base she's been slowly building through Billboard Canada Country chart number ones and (as NPR says) “passionate and empathetic songs that capture the complexities of the heartland" more than tripled that original estimate. On this week's show, Tenille details the nuts and bolts of bringing The Acrobat from a laptop in her bedroom to turntables around the globe, and all the dollars and doubt that came with it. The Acrobat is available now via all digital platforms, and on vinyl from tenilletownes.com.

Sara Watkins, Sarah Jarosz and Aoife O'Donovan talk this week about their recent Grammy wins, family mixtapes over the years, favorite live albums and more. Sing Me Alive, the trio's own new live 2LP set, drops digitally later this month, with vinyl arriving May 8th. Pre-order it and get tour dates, social media and more via imwithherband.com. 

Through a sprawling instrumental approach that blends post-rock, jazz, minimalism, electronic elements and more, British trio Mammal Hands still have a knack for ensuring rapturous melody is always part of the equation. On their new album Circadia -- topping the Billboard UK Jazz & Blues Albums Chart this week -- the band sounds at once both freeing and well-structured, finding arcs and chapters within tracks that blend the mysterious tones of Mogwai with the hushed escapism of Eno/Budd collaborations. On today's episode, saxophonist Jordan Smart, brother Nick Smart on piano, and new drummer Rob Turner give their backstory, and delve into how a wide range of influences (from Gétatchèw Mèkurya to John Frusciante to Wayne Shorter) have contributed to their artistic DNA. Circadia is available digitally, and on black or clear vinyl, from MammalHands.com. Follow @mammalhands on Instagram for news and updates.

Copping its title from a magic mail-order catalog from the 1920's, The Mysterious Production of Eggs sounds so confident in both its whimsical grandeuer and its pensive, quiet moments, one would have no idea that it took renowned violinist and songwriter Andrew Bird many top-to-bottom rewrites, over nearly half a decade, to complete. Today, he walks us through overcoming those initial struggles, when exactly his trademark whistle became part of his musical DNA, and how the current symphonic tour he's on is strategically sequenced much like a vinyl record. A whopping 3LP anniversary edition of Andrew Bird & the Mysterious Production of Eggs -- with live cuts, alternate takes, a 50+ page book and more -- is available now from your local record store or AndrewBird.net. 

Vocalist/guitarist Bob Nanna, bassist Todd Bell, guitarist Mike Shumaker and drummer Damon Atkinson discuss their original start as a band in the early 00's and their upcoming vinyl reissues, dropping this March. Pre-orders and tour dates are available at polyvinylrecords.com. 

On his third visit to the podcast, everyone’s favorite musician-for-hire Jason Narducy (Superchunk, Bob Mould Band, Split Single, Verböten) discusses his new book — Mostly The Van, Volume 1 — and a recent full-circle moment in the childhood bedroom of R.E.M.'s Bill Berry. Jason will be hitting the road again next month alongside Oscar-nominated actor Michael Shannon, playing that group's legendary fourth LP, Life’s Rich Pageant. Follow @jasonnarducy on Instagram for tour dates, copies of the book and much more. 

(To hear Jason's previous interviews, revisit Episodes 121 and 212)

As NPR tells it, Drive-By Truckers' "examination of the Southern psyche is a microcosm of how Americans respond to triumph and tragedy," but their early career incline couldn’t have looked more shattered behind the scenes. The band was close to imploding while crafting 2001’s Southern Rock Opera, through a heatwave in a warehouse, for a paltry $7,000. But when the time came to make their follow-up, Decoration Day — in vocalist/guitarist Patterson Hood’s words, “the most openly beloved thing we’ve ever done” — there was new fuel in the band's tank, with the addition of Jason Isbell, and a real studio and budget to help dial in their vision. Hood recalls it being his funnest recording experience to date, and the final product ended up catapulting the group to cult-like status. Today, on his second visit to Vinyl Emergency, Hood discusses the recently released 4LP Definitive Decoration Day box set, and why he feels the more his band is pushed, the better they become. Follow @dbtph on Instagram and hit up drivebytruckers.com for upcoming solo tour dates.

(To hear Patterson Hood’s previous interview, revisit Episode 144 from February 2021)

This week, singer/guitarist Jim Adkins of Jimmy Eat World chats about the heavy metal (and instructional breakdance) records of his youth, collaborating on a new track by Jay Som, and how he’s attempting to take his critical ear out of the equation when enjoying music at home. The band’s new EP, titled Something(s) Loud — a collection of post-pandemic material that’s only existed digitally until now — is limited to 1,500 copies on vinyl worldwide and available only at jimmyeatworld.com.

Having spent the last thirty years fronting The Get Up Kids, Matt Pryor has earned an honorary doctorate in sharing intimate, vulnerable moments on record and making them sound catchy as hell. Through albums like Four Minute Mile, Something to Write Home About, On A Wire and Guilt Show, he's galvanized thousands of songwriters to similarly lean into the raucous joys of independent touring while pining for the stability and comforts of home. But on his latest solo effort released last week, The Salton Sea, we get inarguably the deepest and most honest look into Pryor's life yet, from the passenger's seat on the road to sobriety. Today, Matt discusses that journey, how writing daily before dawn has opened him up creatively, and why he's inspired by the way country stars like Tyler Childers and Sturgill Simpson are blurring the lines between punk rock and honky-tonk. Get The Salton Sea on vinyl, as well as 2026 tour dates and more at mattpryorandthesaltonsea.com.

Hot on the heels of his involvement with a new, one-step vinyl pressing of Wildflowers -- celebrating its 30th anniversary -- Ryan Ulyate talks today about working with Tom on late-career albums like Highway Companion, Mojo and Hypnotic Eye, as well as selecting tracks for The Live Anthology from literally thousands of performances over a three-decade span. Purchase the limited edition one-step pressing of Wildflowers from store.tompetty.com or becausesoundmatters.net.

He may have only turned 40 this year, but Joshua Hedley figures he's already been gigging for 75% of his life. Infatuated with the fiddle and western swing from an early age, he began performing steadily at 12 and had released his first album by 15, before moving from Florida to Nashville, playing almost 60 hours a week up and down Lower Broadway. Ahead of the late-October release of All Hat -- his third LP, courtesy of New West Records -- Joshua chats today about failing in public, the similarities between pro wrestling and Music City's cutthroat country-western food chain, and why he's finally not nervous to put an album out. Pre-order All Hat from JoshuaHedley.com, and keep up with his weekly gigs in and around Nashville via @joshuahedley on Instagram.

Before his profile as a musician exploded, actor Noah Reid thought of his songs as "a little closet that I could put my thoughts and feelings into." But in early 2018, that door came off its hinges. As his character Patrick Brewer, on the eventual Emmy-winning Canadian TV comedy Schitt's Creek, Noah performed a remarkably grounded and unfeigned acoustic cover of "The Best," usually known as a reach-for-the-rafters power ballad, made popular in the late 80's by the incomparable Tina Turner. TV Guide went as far as to say that Noah's contribution created "the most romantic scene on television," and the mania around Noah's take on the tune only grew larger once Schitt's Creek came to Netflix. On the cusp an upcoming tour, he checks in this week to discuss the horror story of his first vinyl pressing, the surreal "cosmic needle drops" of his Amazon Prime series Outer Range and the many ways he treasures music's imperfections. Tour dates, merch, social media and more are available at http://noahreid.com.

A lot has changed since Evan Weiss last came on this podcast over nine years ago -- marriage, a plethora of new music, and a deliberate "one in, one out" strategy to balancing his record collection. But one thing that's stayed the same (perhaps even increasing) is his steadfast drive to spotlight forgotten records of his heroes, friends or total strangers, which he now accomplishes through a Patreon for Storm Chasers LTD; giving subscribers exclusive access to limited runs or releases that never came to turntables until now. On the heels of his latest album with Pet Symmetry, Evan walks us through how love songs and LSD shaped the band's "biggest" LP to date, and what dream releases he hopes are in Storm Chasers' future. Get updates, vinyl and more via petsymmetryband.com, plus catch Into It. Over It. opening for Minus the Bear on select dates this fall. 

This is an encore presentation of a previous episode, originally airing in 2016. 

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Currently a writer on CBS' Late Show with Stephen Colbert, Brian Stack started on NBC's Late Night with Conan O'Brien in 1997, winning an Emmy for writing on the show ten years later and appearing as the caped and mustachioed Interrupter, hapless door-to-door salesman Hannigan and the ghost of old-time radio crooner Artie Kendall, among a slew of other characters. He followed Conan to both his truncated tenure at The Tonight Show and his current TBS program, but moved with his family back to New York and joined the Colbert staff in September of 2015. Having also made appearances on 30Rock, The Office, New Girl and Parks & Recreation, Brian talks today about his love for The Replacements, what vinyl box set he recently bought despite no longer owning a turntable, and yes... what it's like to open for Slipknot. Follow @brianstack153__ on Instagram.

Vinyl Emergency is where your favorite songwriters, producers, record label owners or other personalities who just love music come to discuss how vinyl's mere existence has shaped their lives and careers.

With a new solo album dropping later this month — In the Heart of the Mountain, his first in over 15 years — Lucero frontman Ben Nichols addresses why some of his recent songs feel like graphic novels, how he’s reconnected with the mythological Arkansas of his youth, and the parts of him that still wrestle with his southern heritage. Vinyl pre-orders, tour dates and more can be found at bennichols.net.

A vocal advocate for artist rights and a senior lecturer on all things music business at the University of Georgia, David Lowery discusses today the recent losses of Sly Stone and Brian Wilson, learning accounting while on tour, and how Camper Van Beethoven expanded their legend through record store performances. David's latest release -- a 3LP set titled Fathers, Sons and Brothers -- is available now. Tour dates for all of David's projects are available at davidlowerymusic.com, crackersoul.com and campervanbeethoven.com. Also, check out thehiddenjams.org, in beta testing, as David and a group of current and former students attempt to upset the recorded music algorithm. 

This is an encore presentation of a previous episode, originally airing in September 2022. "Planting By The Signs," S.G.'s latest album, comes out on June 20th.

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S.G. Goodman delivers both a voice and a lyrical wisdom that feel perfectly worn in -- like that of an artist who's been crafting decades worth of masterful, soul-baring material. What's all the more astounding is that she's only a few albums in to what will hopefully be a long, deep career. The publication Bitter Southerner defines her sound as "driven by love, sometimes by defiance, but always by a delight in singing out... like the declaration of an artist who knows exactly who she is, backed by a band that blows the roof off the studio." On today's show, S.G. shares her affection for Herb Alpert's "Ladyfingers," some candid struggles with diagnosed OCD, the unique way in which her Marantz receiver was acquired, and the underappreciated comforts of house slippers. Find tour dates, social media and more at sggoodman.net.

This is an encore presentation of a previous episode, originally airing in April 2021. Wild and Clear and Blue, Sara's latest album as a member of I'm With Her, was released on May 9th.

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Over the last twenty-five years with acclaimed acts like Nickel Creek, I'm With Her and Watkins Family Hour (as well as her own solo material), Sara Watkins has become one of the most prolific musicians in folk and bluegrass. Dig into your record collection, and you'll also find her work on albums from Steve Earle, The Decemberists, Mandy Moore, Kris Kristofferson, Lyle Lovett and Father John Misty, to boot. Today, Sara discusses how vinyl has played a major factor in her life, right down to how her dad crafted a makeshift turntable out of a sewing needle and paper. Find Sara's socials, upcoming live dates and more info at SaraWatkins.com.

Jay Ryan and Jason Harvey, bassists for the Chicago-area trio Dianogah, describe the route to -- and surprise release of -- their new, career-spanning 5LP box set. Visit landland.bandcamp.com to order this limited pressing, and follow @dianogah_official on Instagram for more updates.